Theatre Reviews Roundup: Reykjavík

Hampstead Theatre

Some critics thought this black comedy about Hull trawlermen dealing with the loss of a ship in the 1970s was one of Richard Bean’s best. Others liked it but were not keen on the contrast between the comedy of the first act and the more serious, spooky second half. Anna Reid’s detailed sets were highly praised.

[Links to full reviews are included but a number are behind paywalls and therefore may not be accessible]

The Telegraph ‘s Claire Allfree (4★) declared, ‘this is a richly, even bravely old-fashioned play, one of Bean’s very best, which puts its faith in exquisite characterisation and extends a profound humanity to its subject, and as such, a rare treat.’ In Time Out (4★) Andrzej Lukowski) called it ‘an elegiac ‘serious comedy’. For The Standard (4★) Nick Curtis described it as ‘Gritty, spooky and enthralling’.

The Times’ Dominic Maxwell (3) who sees a lot of comedy said it had ‘more fizzingly funny lines than you’ve heard all year’. Julia Rank for WhatsOnStage (3★) was not so convinced: ‘This isn’t one of Bean’s finest efforts but it is watchable – it’s mostly a shame that the potential of act one isn’t followed through.’

Over at The Arts Desk (3★) Aleks Sierz was hoping for better: ‘the slackness of the plotting makes this more of a love letter to old Hull than an exciting well-plotted drama.’ The Stage‘s Dave Fargnoli (3★) found it ‘elegiac snd overstretched’.

It sank for Arifa Akbar in The Guardian (2★) who thought it was ‘baggy and aimless’.

Critics’ Average Rating 3.3★

Reykjavík is at the Hampstead Theatre, London, until 23 November 2024.  Buy tickets directly

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