Gillian Lynne Theatre
The story of Jewish immigrants to America and their rise and fall in the world of finance is back in the West End. The latest reviews confirm the status of The Lehman Trilogy as a modern classic. This is its third West End outing, following its premiere at the National Theatre. Understandably most mainstream reviewers gave it a miss this time around, so I’ve included some of the less established media.
[Links to full reviews are included but a number are behind paywalls and therefore may not be accessible]
’It’s one of the best evenings I’ve ever had in a theatre,’ said The Times’ Dominic Maxwell (5★). ‘Good luck seeing better acting this year.’ Aliya Al-Hassan at Broadway World (5★) talked about ‘the sheer scale of theatricality’ and said it was ‘A must-see for any theatre fan.’
Louis Mazzini at LondonTheatre1 (5★) called it ‘theatre at its very best, a rich and complex story told by actors at the top of their game and supported by sublime choreography, ingenious staging and essential music and other effects…simply umissable’.
Daz Gale at All That Dazzles (5★) was also fulsome in his praise: ‘Three hours and 20 minutes feels like a mere moment thanks to the consistently flawless production value, inspired direction and truly sensational talents that are the trio of actors gracing the stage. Make no mistake, this play is theatre at its very best.’
Franco Milazzo for Theatre & Tonic (5★) said, ‘Even when this play is watched again and again, the experience only deepens, not dulls…this masterwork is a monumental achievement. Even though it is largely a work with its head stuck in the past, it stands out as one of the greatest new dramas of this millennium.’
Anya Ryan at LondonTheatre (4★) confirmed, ‘this theatrical epic is as much of a boundary-smashing tour-de-force as ever.’ She went on, ‘the unique skill of The Lehman Trilogy is that it shows the repetitive rhythms and cyclical nature of life. Impeccably delivered, this astonishing family saga is perfectly pitched for the stage’.
Gary Naylor on The Arts Desk (4★) praised ‘the sheer chutzpah of its staging and acting’ but commented ‘Where is the hero? Where is the villiain? Where is the joy? One is left feeling the same about the play as one does about the Lehmans – more to be admired with reservations than to be loved unequivocally’.
Ke Meng at Theatre Weekly (4★) held back a little bit: ‘while the production is phenomenal with its unparalleled theatricality, the narrative feels more like a tribute to London bankers who want to see themselves on the West End stage, or a eulogy to Lehman’s finance empire and the once-vanquishing capitalism, rather than a critique or a reflection on such bustling prosperity.’
Critics’ average rating 4.6★
Value rating 51 (Value rating is the Average Critic Rating divided by the typical ticket price)
The Lehman Trilogy can be seen at the Gillian Lynne Theatre until 5 January 2025. Buy tickets direct here
If you’ve seen The Lehman Trilogy, please add your review and rating below