Critics divided over The Glorious French Revolution
New Diorama Theatre
The Glorious French Revolution (or why sometimes it takes a guillotine to get anything done), to give it its full title, is the latest production from experimental theatre company YESYESNONO. Directed and written by company founder Sam Ward, it uses five actors to tell the story of what happened in Paris in 1789 and just after. The critics were thin on the ground but neatly divided between three that thought it was entertaining and exciting, and three that thought heads should roll.
[Links to full reviews are included but a number are behind paywalls and therefore may not be accessible]
Dave Fargnoli in The Stage (4★) called it ‘part-potted history, part-grotesque pantomime, and – in its most effective moments – a stingingly relevant social critique.’ This ‘is an enthralling rollercoaster of a work,’ enthused Franco Milazzo of BroadwayWorld (4★). Monica Fox for The Reviews Hub (4 ) said it was ‘a bold, imaginative, and entertaining piece of theatre.’
The Guardian’s Arifa Akbar (2★) commented, ‘it could be a five-star show, but in its current state it is an intelligent mess.’
The Times’ Clive Davis (1★) dismissed it as ‘An excruciatingly simple-minded romp through the events leading up to the Terror…I’m tempted to describe it as Horrible Histories for Brechtians, but at least those children’s books deliver decent jokes.’
Time Out‘s Andrzej Lukowski gives no rating but concludes, ‘ultimately there is no real insight here, and no attempt to explain why this show exists or what the Revolution meant to its makers. Stylish hipster theatre, about the coolest of the big Western revolutions, but it’s about as profound as a Che Guevara t-shirt.’
Critics’ Average Rating 2.75★
The Glorious French Revolution (or why sometimes it takes a guillotine to get anything done) can be seen at the New Diorama Theatre until 14 December 2024. Buy tickets direct here.
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